It is a common warning among many that jointly caring for a dog after a breakup is ill-advised. Experts frequently claim such arrangements hinder individuals from finding closure, create logistical nightmares, spark arguments, and are a nuisance for everyone involved. As it turns out, and in a twist fit for a direct-to-platform film, it can even cause the canine in question to become depressed.
While respecting the inner life of dogs – countless people observe their remarkable empathy. For a standout portrayal in dog sorrow, simply recall another performance. It seems certain that a dog of Merv's nature, a scruffy terrier type played by Gus the Dog, would find it difficult coping with divided living arrangements. If this concept a feature-length romcom on such a setup works effectively is debatable at best.Predictable Foundations
Fairness demands noting, Merv, crafted by the writing duo and directed by director Swale, makes no grand claims deeper than its premise. It functions as a Christmas movie from a streaming platform giant – the ambitions is limited. The plot is destined to be simple and direct: former spouses Russ, played by Charlie Cox and Anna (Zooey Deschanel), forced to acknowledge that their own sadness is surpassed by their dog's, embark on a cheer-up vacation to a dog-friendly resort. At this location, predictably, they will presumably rediscover the idea that they should reunite. The supporting cast – played by familiar faces – serve as the usual assortment of types. Its aesthetic is reminiscent of a branded content, with a Christmas setting that is obviously artificial – think obvious snow effects surrounding lush pines as a summer location doubles as a wintery Boston.
The Canine Charisma
If these standard ingredients come together into a pleasant experience depends on the actors' work and the viewer's appetite for cinematic comfort food. Regarding the second aspect, Merv knows its audience – individuals who scroll endlessly for cute animal clips. It provides a series of scenes focused on the pet. The main attraction is Merv himself, and while this leads to some clunky cuts between what the dog does and human reaction, the movie delivers on walking sequences, dog depression, and, ultimately, doggie joy.
The Human Element
Such effectiveness cannot be applied for the human side of the story. Its style wavers between serious study, broad humor, formulaic romance, and silly gags, failing to master a consistent feel. This is not Cox's performance, who is willing to embrace the silliness and cringe inherent in the bizarre setting. He brings a likable self-deprecation that supplies the bulk of the chemistry for this seemingly ideal couple. Anna's portrayer, as is her trademark, injects a certain millennial quirkiness that will click for some but not others. The character seems a little too aloof, notably when alongside Cox's heartfelt sincerity. (It should be noted, Gus the Dog succeeds in looking despondent – not quite a canine thespian of that caliber, he remains a scene-stealer.)
The story strives to give weight to Anna and Russ's relationship for moments when the dog is absent – which is unfortunate, since Merv is undoubtedly the best part of this cute-aiming movie. As one might predict, it meets the bare minimum. The cause for the split might seem more nuanced with more screen time and more subtle storytelling. As it stands, Merv is gentle and pleasant, meeting every expected note. Making a film with this canine conflict has potential – but I wouldn't call it a great one either.
- Merv becomes available on Amazon Prime Video this December.
